They add a girlish
touch to what is probably
the most boy-centered sitcom
in a decade. As a mother, an ex-wife
and a housekeeper, they exist just to
complicate the lives of their show’s titular
males. But over lunch on an outdoor patio
at the Four Seasons hotel in Beverly Hills,
it’s the ladies taking center stage. Holland
Taylor, Marin Hinkle and Conchata Ferrell—
“Everybody who knows me calls me Chatti,”
she starts off explaining—sit down
with Watch! to talk about being the
women of Two and a Half Men. By Jim Colucci • Photography
by Cliff Lipson
Watch!: What’s the
appeal of Two and a
Half Men?
Conchata Ferrell:
We’re doing Sex and the
City for men. We’re a
show that’s breaking all
the rules. We’re funny,
we’re raunchy—maybe
some critics don’t appreciate
that, but …
Holland Taylor: But
the public really eats it
with a spoon, as the ratings
demonstrate. And I
have never in my career
gotten so many compliments
from people on
the street as I do about
this show.
Marin Hinkle: All three
of us go back and forth to
New York a lot, and I end
up seeing the show on
American Airlines. And
I see people of all ages,
races and backgrounds
watching it and laughing
so hard—sometimes
even if they don’t have
the earphones on, which
says something about
the physicality of the
show. Jon Cryer is such
an expert at physical comedy
and pratfalls. Nobody
does it like he does.
Holland Taylor: And
nobody can handle this
kind of dialogue and
ride the audience like
Charlie Sheen does. He’s
a master, and he makes
it look like it’s nothing.
Watch!: Wow,
right away such
admiration for Jon
and Charlie. How
do your characters
feel about the boys?
Conchata Ferrell: At
fi rst, I thought my main
relationship was going to
be with Jon’s character,
Alan, because we’re really
antagonistic with each
other. We’re such different
people—he’s fussy
and my character, Berta
the housekeeper, is laid
back. And we’re both in
competition for who’s
fi rst and foremost to Charlie.
But now my favorite
relationship in the show is
with the child, Jake. It’s
so unusual and fresh, it’s
a gold mine. We mean a
whole lot more to each
other than either one of us
would ever admit. Secretly,
I love Jake—he’s a kid after
my own heart. He eats too
much, he’s messy ... he
could have been my son.
Holland Taylor: Very
early on, Chatti pointed
out that both Berta and
my mother character, Evelyn,
love Charlie but hold
him in no regard. That has
been my watch phrase
ever since. That dynamic
allows our characters to
have a friendship, too,
because we both feel the
same way about him.
Marin Hinkle: My
character, Alan’s ex-wife
Judith, has changed
a great deal since the
show’s pilot. Originally
she was very nervous,
insecure and fragile. Then
a couple of weeks went
by, and the writers said
they were going to try out
different kinds of personalities.
They landed on
someone who was very
different from me—she
has a real angry quality.
Watch!: How did
you each get cast
on the show?
Marin Hinkle: I don’t
know, Chatti and Holland,
if you know this, or if I’ve
ever put this on record,
but here we go. I had just
been let go of a leading
role in another pilot. I was
pregnant at the time, and
that, with having been
fi red, put me in that place
where you can just fi gure,
“Whatever. I have something
more important in
my life.” So although I
usually do a lot of preparation,
I went in to
meet with Chuck Lorre,
and I think my ignorance
allowed me to just be this
woman. Then I went to
the callback to test with
Jon, and we just clicked
together. I can’t put my
fi nger on why, but I just
looked at him and a little
part of me could believe
that we would be married.
Conchata Ferrell:
When I went to audition,
there were over 30 crackerjack
character women
outside, in every size
and shape. Some were
names and faces you’d
recognize. Berta was supposed
to be on for only a
two-episode arc, starting
from the fi rst show after
the pilot. They wanted
her to have some kind of
accent, so I went in prepared
to do it Russian.
But to me, the rhythm
to the writing felt more
“down home” instead. I
figured the only way I’m
going to get this job is if
I do it the very best way
I can, so I took a chance
and asked if I could do
it “trailer park” instead.
Holland Taylor: That
was a brilliant call. That
got you the part.
Conchata Ferrell:
Yeah, but it could have
just as easily not gotten
me the part. I did eight
shows that fi rst year, and
then they made me a regular.
And then I became
absolutely convinced that
they were going to regret
their choice and fi re me.
But what has happened
is, Berta has become
the voice of the audience.
Because I’m the one
who goes, “Will you look
at what these silly rich
people are doing?”
Holland Taylor: For
me, my mother had just
died, and so I can scarcely
remember the casting
process. But another
actress had had the part,
and the fi t just wasn’t
right. So they recast, and
we had one very quick
meeting. There was no
question in my mind that
the show would be a hit,
with the track records
of the writer, the actors,
the director behind it.
Watch!: How has
being on a hit show
impacted your lives?
Holland Taylor: In the
early years of the show,
I was on, let’s say, “the
shady side of 50,” and I
realized I didn’t have
much self-knowledge. A
friend of mine had taken
her master’s in psychology
at the University of
Santa Monica and had
found it had given her
the equipment to tackle
life. So I did that for two
years. This year, I’ve been
going back to New York
almost every week off
to rebuild my life there.
That’s where my family
and all my oldest friends
are, and when Two and
a Half Men is done, I’m
going to focus on the
theater. It’s great to have
the time and resources
to do all that—but to tell
you the truth I would like
to work more on the show.
I am one of those people
who gets my identity very
much from my work, and
I feel very weird when I’m
not in an episode.
Marin Hinkle: It’s like
your family is celebrating
a holiday …
Holland Taylor: … and
you’re not invited.
Watch!: Would the
guys be able to live
on their own without
the three of you?
Conchata Ferrell:
I believe, and this is both
me and Berta talking,
that unless Charlie fell in
love with a whole woman,
who could live a full life
with him, he can’t live
without me.
Holland Taylor: And
they need a foil like they
have in Evelyn. In a primordial
way, Alan and
Charlie both need their
mother in their lives,
because they’re so
immature. It’s a very
human thing that as long
as your mother or ex-wife
remains the enemy, and
you can rail against her
for turning you into the
monster that you are, you
don’t have to get over it,
move past it, or change
the bad habits that you
so enjoy. That’s what
Charlie has done.
Marin Hinkle: Speaking
of the guys, though,
we haven’t sung somebody’s
praises yet, and
that’s Angus. Oh my
God is he great.
Watch!: Tell me
about working with
Angus T. Jones, who
plays Jake. After all,
there is that old
actor’s adage to avoid
working with kids
and animals…
Conchata Ferrell:
He has amazing parents
who keep him pretty
real. I was at a party one
night, and Angus was
there with his dad, who
treated him the way
my own dad would have
treated me. If I got a
little loud, my dad would
have said, “It’s time to
calm down.” His dad was
like that, and stayed on
him, but in a very kind,
very supportive way. His
mother works with him,
too, and as a result he’s
a real kid, who happens
to be a very funny actor.
Marin Hinkle: I can be
nervous before the front
door opens and I get to
say my lines. And Angus
always tells me some
sort of joke, or tickles me,
or does something that
really relaxes me. And
the kid has never been
nervous. He’s so at ease.
Watch!: What would
you like to see your
characters get the
chance to do?
Holland Taylor: Evelyn
can be such the mother
lion protecting her cubs
that I’d like to see that
happen in a realistic way.
Restaurant scenes are
my favorite with her, so
it would be fun if she
made some spectacle
of herself at a restaurant
on their behalf. I also
would love to have more
scenes where we see
that with the generation
gap between Evelyn and
Jake, they’re really on
different planets. Like the
time he tried to explain
to me who Spongebob
Squarepants is, and I just
couldn’t get it.
Marin Hinkle: That
was my favorite moment
in the last four years.
Conchata Ferrell: I
would really like to see
three of us women at
odds with each other,
each trying to get the
guys to be on our side.
Because they aren’t
men who like to be in the
middle of women going
at each other.
Marin Hinkle: Maybe
they could bring us to
therapy. And I would
love to have a sleepover
with Jake at my house
where the frailty of my
mothering starts to show,
and so it all fl ips around
and I actually need help
from one of the guys.
For Judith to admit that
she might need them
would be a devastating
turnabout.
Watch!: What do
you think the future
holds for Two and a
Half Men?
Holland Taylor: For
me, the increasingly fun
thing about our show is
having this kid who was
a tiny little peanut but
who is changing radically
every season. And
therefore, the writing
changes radically. We’re
watching a guy go from
8 to 12 to 15 to 17. There
was a moment recently
when Jake was so naïve
that when a girl gave him
the go-ahead to taste
her strawberry lip gloss,
he dabbed it with his finger
rather than kiss her.
That’s my idea of brilliant
powers of observation
and brilliant writing.
Conchata Ferrell:
If the show ends, the
perfect way would be
to have Jake bloom.
The last image I can see
of the show is that he’s
no longer “half,” but a
whole young man, with
a certain charm that just
shocks everybody.
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